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Sondre Lerche
 

AN INTERVIEW WITH SONDRE LERCHE
by Melody Alderman

At just twenty-two years old, Sondre has already carved a definitive and well deserved path for himself. Hear what the outspoken songwriter has to say about the musical landscape he is now a part of. This includes music he loves and music he doesn't like, (enter Ashlee Simpson).


P.S.
So I figured I would ask you how this record's different from the last one, what it's like to be so young in this business and how being from Norway has influenced your music. The typical, abc questions.

SONDRE:  (Laughs) Those would be spot on.

P.S.: How's the North American tour going?

SONDRE: It's good. It's been a long tour. We have one week left now. Not too long but this is the best part. The west coast is always the best part. It's nice that we saved that for last because it keeps you motivated.

P.S.: It must be quite different for you to be in America as opposed to Norway in terms of recognition. You're quite famous back home.

SONDRE: Oh yeah, Norway's a much smaller country and over there, I'm a mainstream artist. I'm more of a high profile face. Over here, I work in the indie rock segment or whatever and it's a different focus. It's very rewarding coming here because it's all about the music and in Norway, the focus shifts. But it's good to get both worlds. 

P.S.: So you have Paris Hilton status in Norway? Everybody wants to know who you're dating and such?

SONDRE: (Laughs) Yeah, people would be asking that kind of  question.

P.S.: You got sick at the beginning of this tour, right?

SONDRE: Yeah, we had a rough start. My sound engineer and  tour manager, he  got really sick in New York. He had to stay in New York to get treatment. He's from Norway and he always comes with me. So for the first two weeks, I was on my own. I hate working without my own sound engineer. I was sick as well and had the flu and a really bad cold. It was really terrible for two weeks. But it's all good now.  

P.S.: So let me take you through a scenario. You were in New York when you got sick which is coincidentally, where Saturday Night Live is taped. Now imagine, you get sick and supposedly lose your voice.

SONDRE: (Starts laughing) I think I know where this is heading.  I'd try my luck with lip synching and then, if it didn't work...

P.S.: Blame the band?

SONDRE: Or... I'm thinking, 'this is Saturday Night Live,' so if it doesn't work on a musical level, maybe it would be funny. It's a humoristic show. So afterwards, I could say, "Ha! Didn't you see? I was just making fun. It was just a joke."

P.S.: You're very outspoken. I was reading some of the monologues on your website and you don't seem afraid to speak your mind which is refreshing. Do you ever worry about the politics of speaking so honestly about other musicians?

SONDRE: Well, there may be a side to it that I can't see now that might hit me tomorrow. There's certain things that I stay away from and I don't have to speak my mind at any price. I don't mean to hurt people but I'm thinking as long as what I have to say has to do with music, which is my profession. Naturally, I'm going to have opinions about music that is out there. It's the same way that I share my appreciation of music that I love. I sometimes can't help but share my opinions about music or things within music that I think is stupid basically.

P.S.: So it has more to do with musicianship than entertainment?

SONDRE: Exactly, and I enjoy music both as an art form and as entertainment. I'm not just an indie geek where everything has to be real. I love Destiny's Child and all of that stuff. But when I feel that Ashlee Simpson's music sucks, I can say it. It's not that I think she's fake or that she lip synchs. I was totally not shocked to hear that she lip synchs. I'm just shocked that the rest of the world seems to think of it as a shock that an artist of that caliber lip synchs. Because basically, that's what their whole career is fundalmented on. Which is odd because I saw Destiny's Child on Oprah and they were lip synching because it's really tough singing live and dancing all over. It's like, great if they want to do the dancing instead of the singing, as long as I get to hear the song, that's cool. At least that's what I think. But in the case of Ashlee Simpson, I'd rather she just dance and didn't sing. It's really annoying... that whole format that's coming across now with these young, angst ridden teenage girls complaining about their family life and not being understood. I think it's really annoying and I'd prefer Jessica Simpson anytime. At least she's not complaining about stupid things like that. She's just being shallow and singing stupid, annoying ballads.

P.S.: She's wearing her spoiled nature on her sleeve instead of pretending to be tortured.

SONDRE: Oh, yeah. Exactly.

P.S.: While we're on the subject of musical opinions, you really seem to be passionate about artist's you listen to. I once had a musician tell me that the difference between being a fan and being a musician is that the fan can enjoy and appreciate the music while a musician is thinking of ways they could have contributed or wishing they had. What's your opinion of that?

SONDRE: I want to learn things when I hear great songs but I don't want to let the fact that I'm an artist and I have to be on the lookout, get in the way of just appreciating a great song. I'm a musician sure and a songwriter but I'm also a fan. I'm not afraid to say, 'I love what a band is doing and they're so good and the world should hear it.'  Ultimately, when I hear stuff, I'll think, 'Wow, that's a clever move. I never thought of that.' That's the thing. I want to bring that into my own world of music.    

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Photographs by Melody Alderman
Copyright 2004

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