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Glen Phillips

 

Winter Pays for Summer

 

Show Review

 

The Roseland Grill
Portland, OR
June 10, 2003

Glen walks out onto the stage, very simply. Bare feet, as always, and casual jeans and a T-shirt he’s had on since sound check. The chords of Sleep Of The Blessed begin to play and the crowd settles in. Within minutes, trouble begins. Glen cannot hear his guitar through the PA. He stops in mid song to correct the problem. As he checks and switches the wires, the minutes begin to pass. Finally, he seems to have gotten the sound to a tolerable level. He apologizes and tells the audience, “It’s been one of those days.” At this point, the show looks like it could become a disaster.

After what seems like forever, Glen begins to play again breaking into Whatever I Fear, (a song he wrote while briefly living in Olympia, WA). Cheering and applauding, the audience shows no sign of losing interest because of sound problems. Instead, they seem to become more attentive and supportive. As Glen continues playing, the crowd grows ever more silent, listening intently. By the fourth song, it’s difficult to believe the show was ever in jeopardy.

Glen’s voice is melodic and precise. He has an impeccable, angelic tone that draws you into every word he sings.   Without a set list, the audience is given the opportunity to help create one. Between the songs Glen shares many personal stories and life philosophies. His stories are incredibly entertaining and insightful with intelligence and humor, (an ideal combination).

Towards the end of the show Glen steps back from his mic and invites everyone to join him in a sing-a-long. He sings Walk On The Ocean and Something’s Always Wrong, (both are Toad songs). The crowd provides the background harmonies. Nearly everyone knows the words.

Glen thanks the audience for ‘keeping him in the room’. He reveals that his wife’s grandmother passed away that morning and then dedicates Darkest Hour to her. There is an unspoken compassion felt inside the room. As Glen ends the song and leaves the stage, his words echo in my head; “In my darkest hour, I will be free…free…”

~Melody Alderman

SET LIST
 

Sleep Of The Blessed
Whatever I Fear
There Comes A Time
Train Wreck
Nanci
Drive By
Courage
Fred Meyers
Better Off Here
Thankful
Theme from Star Trek (Gene Roddenberry)
Easier
Two Headed Boy: Part Two (
Neutral Milk Hotel)

Windmills
Another Half-Life
Crowing
Maya
Mother Stands For Comfort (Kate Bush)
Political Science (Randy Newman)
Falling
All I Want
Something's Always Wrong

(Encore)

Duck And Cover
Lay Down Your Arms
Darkest Hour
Don't Need Anything


 

 

 

 

 

 


Photographs by Melody Alderman
Copyright 2005

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